Lev Tolstoy Goes to Hollywood

   Few people have had the impact on Russian literature that Lev Nikolayevich Tolstoy (1828-1910) has had.  His novels and short stories have been translated into numerous languages and people from various cultures are familiar with these stories.  Three of his stories including Anna Karenina, one of the greatest novels ever written, The Kreutzer Sonata, and Two Hussars were even made into American films.  These three films were all produced by British producer Bernard Rose (b. 1960). His adaptation of Anna Karenina was certainly not the only one produced for an English speaking audience, but it was certainly one of the best adaptations. 

    In this article I will look at these three films, namely “Anna Karenina” (1997), “The Kreutzer Sonata” (2008), and “Two Jacks” (2011).  I will examine these three films in order to see how faithful they are to the novels themselves and how well they correspond with one another. 

    The 1997 film “Anna Karenina” which stars Sophie Marceau (b. 1966) in the title role, is a very interesting adaption of Tolstoy’s novel.  It was obvious that Rose had borrowed several ideas from the 1948 film with Vivien Leigh, but he also added some new elements which were not present in the earlier films.  For example, the story, in this film, is told by Lev Tolstoy through the character of Constantine Levin.  However, some of the elements of the earlier films about this novel, such as the difficulties between Stepan and Dolly at the beginning of the film, are not present. 

    Sir Georg Solti’s (1912-1997) choice of music also had a profound impact on the film.  Pyotr Illyich Tchaikovsky’s (1840-1893) Sixth Symphony, which he wrote prior to his own death, the choice of Tatiana’s aria from the opera “Evgeny Onegin”, and the music of Sergei Rachmaninoff (1873-1943) helped to tell the story, even without words. For some reason, Sir George did not list this film among the films he is credited with serving as music director for.¹  
    Eleven years later, Bernard Rose decided to produce a modern film version of The Kreutzer Sonata. This novella is believed, by some, to be Tolstoy’s argument in favor of sexual abstinence and against marriage.² It also deals with the question of whether or not true love is possible.³  

     This film was a very interesting 21^st century “American” approach to a 19^th century Russian novella.  Set in Los Angeles, California, this film remains quite faithful to the story line of the novel; however, it can be seen as extremely pornographic, especially if one of the original themes of Tolstoy’s novella was the virtue of sexual abstinence.⁴  

     I have no objection to nudity in a film if it is used for artistic reasons, such as to enhance the storyline; however in this film the constant nudity almost became the storyline. 

     It is unfortunate that modern American films must contain graphic nudity, excessive killings, and/or massive explosions; otherwise they will not do well at the box office.  Some people will argue this is not true and point to the 2012 film version of “Anna Karenina” as an example. However, that film won an Academy Award for “Best Costume Design”, not for “Best Picture”.  Hollywood markets films in the same way cigarettes are marketed according to the late great Russian film director Andrei Tarkovsky (1932-1986) ⁵ What Tarkovsky said in the 1980s is even more true today.

     The third film is “Two Jacks” a 2011 film based upon an 1856 short story entitled Two Hussars by Tolstoy. ⁶   There was also a 1984 Soviet film entitled “Two Hussars” which was also based upon this short story.⁷  In the original story the reader is meant to understand that the son is not only a different generation than his father, but that this later generation has actually become worse.  This insight was made quite clear in Bernard Rose’s 2011 film; however, it was not as clear in the 1984 Soviet film. 

      In the 1984 film the father and son were both played by the same actor (with an implied time lapse in the film) and it was difficult to understand why the son was less likeable than the father.  However, this was more obvious in the 2011 film. 

      Danny Huston (b. 1962) plays “Jack, Sr.” and his nephew Jack Huston (b. 1982) plays “Jack, Jr.” and it is somewhat easy to see why Jack, Sr. was a much more likeable character than Jack, Jr.  The movie begins with the audience being introduced to Jack, Sr. at the airport and the film ends with Jack, Jr. at the same airport (in the same terminal) twenty years later. 

    This was the third time that Rose included Danny Huston in one of his films. In addition to playing Jack, Sr. in this film, Huston also played Stepan, Anna Karenina’s brother, in the 1997 film and he played the main character in “The Kreutzer Sonata”.  It would appear that Bernard Rose is quite impressed with Danny Huston’s acting ability. 

     Each of these films remained quite faithful to the novel or short story they were based upon.  These three stories explore very important issues which are still as relevant today as they were when they were written in the 19^th century. With the current divorce rate at over 50%, many young people ask themselves if true love is really possible. 

    In Ezekiel 18 it is written, “The father eats green grapes and the children’s teeth are set on edge.”  What the prophet Ezekiel is saying that the actions of the parents have a direct impact on their children.  Another phrase we often heard used is “The apple doesn’t fall far from the tree”.  Based upon “Two Jacks”, both the quote by the Prophet Ezekiel and the apple are still quite true.  Lev Tolstoy was a deeply religious man and he may very well have had the Bible quote from Ezekiel 18 in mind when he wrote Two Hussars.

      Bernard Rose showed us that the same personalities which could be found in Anna Karenina, The Kreutzer Sonata, and Two Hussars are still very much alive today.   This is a hallmark of classic literature and it is wonderful that this producer was able to introduce these stories by Lev Tolstoy to an audience who may have been familiar with only Anna Karenina and War and Peace.    

                                                          End Notes

1)    “Anna Karenina: A Cinematic Journey on the Silver Screen from 1927 to 2012” http://heideggerm1.blogspot.com/2013/03/anna-karenina-cinematic-journey-on.html 

2)    “The Kreutzer Sonata” http://en.wikipedia.org/wiki/The_Kreutzer_Sonata  

3)    “The Possibility of True Love” http://heideggerm1.blogspot.com/2012/09/the-possibility-of-true-love.html  

4)    “The Kreutzer Sonata (2008 film)” http://en.wikipedia.org/wiki/The_Kreutzer_Sonata_(2008_film)  

5)    “Andrei Tarkovsky: A Poet in the Cinema (1983)” http://www.youtube.com/watch?v=PTvIybrtMqU (47:55)

6)    “Two Hussars” http://en.wikisource.org/wiki/Two_Hussars

7)    “Two Hussars (Russian Film)” http://rusact.com/movie-opinion-10792-Dva-Gusara-Two-Hussars-Velikolepnaya-Klassika  

The Possibility of True Love

   That perfect someone, your soul mate. The one you have dreamed of all your life. Is it utter magic? Is this the stuff of which dreams are made? Or is it all a myth, a cruel joke being played on us by the Hollywood marketing machine and sappy romance novels?
  
   Robert Epstein, editor of Psychology Today, recently caused quite a stir when he set out to vex the myth of romantic love. His goal is to enter into an agreement with someone for six months, during which time they put themselves through "various exercises . . . the goal being to fall deeply in love by the end of the contract period.

   "We teach our children, and especially our little girls that a knight in a shining sports car is going to drive up one day, awaken perfect passion with a magical kiss, and then drive the blessed couple down the road to Happily Ever After, a special place where no one ever changes," says Epstein. "Hollywood tells us that ‘the One’ is out there for everyone, so no one is willing to settle for Mr. or Ms. Two-Thirds. We want our relationships to be like our antidepressants -- perfect and effortless."

   The evidence backs his statement. According to Psychology Today, over 60 percent of world's marriages are arranged. These marriages have far lower divorce rates, and the couples often find themselves falling in love. In contrast, "romantic" marriages have a 57 percent failure rate, with even less promising statistics for second marriages.¹

   This topic was also dealt with in The Kreutzer Sonata by Lev Nikolayevich Tolstoy (1828-1910) which opens as a third-person narrative by an anonymous gentleman making his way across Russia by train. When the conversation among the passengers turns to the subjects of sex, love, and marriage, a lawyer claims that many couples live long, content married lives. However, Pozdnyshev, another passenger, violently contradicts his statement and announces that he has murdered his wife in a jealous rage, a crime of which a jury had acquitted him. Citing that the deterioration of their marriage began on their honeymoon when they first began a sexual relationship, Pozdnyshev reveals himself as a man with an insane sexual obsession—he links sex with guilt, regards it as a 'fall' from an ideal purity, and describes sexual intercourse as a perverted thing. He tries to persuade his captive audience that all marriages are obscene shams, and that most cases of adultery are occasioned by music, the infamous aphrodisiac. This latter idea explains the title of the story, which is also a musical composition by Ludwig van Beethoven (1770-1827). Pozdnyshev explains the circumstances that led to his tragedy: after marrying a pretty woman who bore him children, he came to hate, but lust for his wife. One day a musician named Trukachevsky, accepting Pozdnyzhev's invitation to visit their house, accompanied Pozdnyshev's wife on the violin while she played the piano. Convinced that the pair were having an affair,

    Pozdnyshev went into the country to attend the meeting of the local council, often recalling the look on their faces as they played the "Kreutzer Sonata." He returned home early, thinking that he would find the lovers in bed and consequently kill them; instead he found them sitting in the drawing room after they had played some music. Enraged nevertheless, Pozdnyshev killed his wife after Trukachevsky had escaped.²

    The idea of arranged marriages, which was one of the topics discussed on this train ride, is completely foreign to most people in the Western world; however, it is quite common to many cultures throughout the world and according to Robert Epstein it has a very high success rate.  While I am not necessarily advocating the idea of marriage, I do not believe that the “fairy tale” image of marriage is entirely accurate either. 

    It is important to keep in mind that one of the major influences impacting this novella was Lev Tolstoy’s religious belief which advocated celibacy rather than marriage as being virtuous.  In an essay entitled “The Lesson of The Kreutzer Sonata”, Tolstoy explains his view of the subject matter. Regarding carnal love and a spiritual, Christian life, he points out that not Christ, but the Church (which he despised and which in turn excommunicated him) instituted marriage. "The Christian's ideal is love of God and his neighbor, self-renunciation in order to serve God and his neighbor; carnal love – marriage – means serving oneself, and therefore is, in any case, a hindrance in the service of God and men".³

   When Tolstoy wrote this novella, he had been married for many years and had several children.  How did his wife, Sophia Andreyevna, feel about it?  "You are harassing and killing yourself," she wrote him on April 19, 1889, at Yasnaya Polyana (Tolstoy’s estate). "I...have been thinking: he does not eat meat, nor smoke, he works beyond his strength, his brain is not nourished, hence the drowsiness and weakness. How stupid vegetarianism is....Kill life in yourself, kill all impulses of the flesh, all its needs -- why not kill yourself altogether? After all you are committing yourself to *slow* death, what's the difference?"⁴  

    What is meant by true love?  If we mean that a person must surrender their own identity and simply serve the needs of their husband or wife in order to make sure that he or she is always happy, I am not sure that this is true love. People are constantly changing and evolving, so it is unrealistic to expect that someone can simply give up their identity and individuality in order to serve someone else.  I believe this is one of the problems that Anna Karenina experienced in her marriage and this led to her relationship with Count Vronsky.

    However, if we mean that two people work together as a team and continue to grow together instead of growing apart, I believe that true love is possible.  One of the challenges that many people face is the “fairy tale” understanding of relationships where everyone always lives happily ever after.  One of the most famous lines from the movie, “Love Story” was “love means never having to say you’re sorry.”  There are very few people for whom this would be understood as one of the definitions of love. 

    While everyone may not experience true love in their lives, does this mean that true love is not possible?  The Kreutzer Sonata would not be ideal reading for someone who is a hopeless romantic, but the issues which Tolstoy deals with in this novella have been addressed by countless people throughout the centuries. 

                                                     End Notes

1)     GinaMarie Jerome “Is True Love a Myth?” http://www.thirdage.com/relationships-love/is-true-love-a-myth (posted 7/11/2008, accessed 9/5/2012)

2)     Lev Tolstoy, “The Kreutzer Sonata” http://www.enotes.com/kreutzer-sonata-criticism/kreutzer-sonata-leo-tolstoy (accessed 9/5/2012)

3)     Lev Tolstoy “The Lesson of the Kreutzer Sonata” http://www.online-literature.com/tolstoy/kreutzer-sonata/29/ (accessed 9/5/2012)

4)     Aleksandra Tolstoya “Tolstoy: A Life of My Father” http://great-authors.albertarose.org/leo_tolstoy/ATolstaya.htm (accessed 9/5/2012)